Gabriel

Origin

The iconographic origin is the Persian-angel-faith influence of the c. 6th century BCE Babylonian Exile period, and the decisive textual canon is the Book of Daniel (Daniel) 8:15-26 of c. 2nd century BCE — 167-164 BCE — Old Testament — the decisive origin canon in which after Daniel saw a vision by the Ulai River, Gabriel appeared in 'the appearance of a man (kemar'eh-geber)' and interpreted the meaning of the vision — and 9:21-27 — the decisive canon in which Gabriel 'flew swiftly at the time of the evening sacrifice' and delivered the prophecy of 70 weeks (70 weeks). The Gospel of Luke (Luke) 1:11-20 of the c. 1st-century-CE New Testament — the decisive canon in which Gabriel announced the conception of John the Baptist (John the Baptist) to the priest Zechariah (Zechariah) at the right side of the altar of incense in the Temple of Jerusalem, and as a result of Zechariah doubting, became mute — and 1:26-38 — the decisive canon of the Annunciation (Annunciation), in which 'in the sixth month' Gabriel appeared to the virgin Mary in Nazareth in Galilee and greeted her with 'Hail, full of grace, the Lord is with thee' and announced the conception of Jesus. The c. 3rd-1st-century-BCE apocryphal 1 Enoch (1 Enoch) 9:1, 10:9, 20:7 — the decisive canon establishing Gabriel as one of the four archangels (along with Michael, Raphael, and Uriel), and the Qur'an (Qur'an) 2:97-98, 26:192-195, and 53:5-18 of c. 7th century — 610-632 CE — Islam — is the decisive Islamic canon.

Features

• Graceful angel holding a lily
• Long scroll (message) and golden trumpet
• White silk robes and curly hair
• Large white feathered wings
• Patron saint of communications, postal, and diplomatic services
• Feast of the Annunciation on 25 March

Stories

The Persian-angel-faith influence of the c. 6th century BCE Babylonian Exile period is the decisive origin, and the decisive textual canon is the Old Testament Book of Daniel chapters 8 and 9 of c. 2nd century BCE and the New Testament Gospel of Luke 1:11-20 and 1:26-38 (Annunciation) of c. 1st century CE. The decisive Islamic canon of Jibril (Jibril) revealing the Qur'an to Muhammad over 23 years from the first revelation in the Cave of Hira (Cave of Hira) in 610 CE to the death of Muhammad in 632 of c. 7th century, and the 9-rank angel canon of the De Caelesti Hierarchia (De Caelesti Hierarchia) of Pseudo-Dionysius the Areopagite (Pseudo-Dionysius the Areopagite) of c. 5th century Syria is the decisive canon. The Annunciation (Annunciazione) fresco of the Convento di San Marco (Convento di San Marco) in Florence, Italy by Fra Angelico (Fra Angelico, c. 1395-1455) of 1438-1445 and the Annunciation of Urbino by Raphael Sanzio (Raffaello Sanzio, 1483-1520) of 1485 and the woodcut of Albrecht Durer (Albrecht Durer, 1471-1528) of 1510 are the decisive art canon. The Gabriel of Paradise Lost (Paradise Lost) of the British poet John Milton (John Milton, 1608-1674) of 1667 is the decisive 17th-century canon, and the Gabriel of the 1980 D&D Deities & Demigods (Deities & Demigods) by TSR in the USA and the angel Moroni (interpreted as Gabriel) of the 1843 American Mormonism are the decisive religious canon. The decisive 21st-century canon is the Gabriel of the film Noah (Noah) (directed by Darren Aronofsky, Paramount) released in the USA on 26 February 2014, and the Gabriel (played by Conor Trinneer) of Season 5 (2020) of the Amazon Prime Video series Lucifer (Lucifer) started in the USA in 2017 are the 21st-century decisive video canon.

Weakness

Gabriel's weaknesses are: (1) lack of free will — the decisive canonical weakness in the c. 2nd-century-BCE Daniel and c. 1st-century-CE Luke canon — the decisive canon that as God's messenger he must deliver God's message accurately and cannot act with his own will; (2) weight of the message — the decisive canon in the c. 1st-century-CE Luke 1:11-20 in which Zechariah (Zechariah) doubted Gabriel's message and became mute — and 1:29-30 — the decisive canon in which Mary 'was afraid'; (3) heaviness of mission — the decisive canon in the 7th-century Qur'an in which when Muhammad received Jibril's first revelation in the Cave of Hira, he 'trembled with fear'; (4) between God and humans — the decisive canon; (5) weight of 70 weeks — Daniel 9:24 — the decisive canon of the weight of the prophecy of 70 weeks; (6) the virgin Mary's doubt — the decisive canon of resolving Mary's doubt 'How shall this be, since I do not know a man?'; (7) binding of the sacred domain — the decisive canon; (8) binding of hierarchy — the decisive canon of the hierarchy beneath Michael. The decisive canonical finale is Mary's response in Luke 1:38 — 'Behold the handmaid of the Lord; let it be unto me according to thy word (fiat mihi secundum verbum tuum)' — the decisive canon, and the c. 7th-century Qur'an — up to chapter 110 — the 23 years of revelation — the decisive canon.

Cultural Significance

Gabriel is not merely an angel icon but the canonical iconographic figure of the decisive Judaism-Christianity-Islam canon, traversing the c. 2nd-century-BCE Old Testament Daniel chapters 8-9, the c. 3rd-1st-century-BCE apocryphal 1 Enoch, the c. 1st-century-CE New Testament Luke 1:11-20 (Zechariah) and 1:26-38 (Annunciation), the c. 5th-century Pseudo-Dionysius De Caelesti Hierarchia, the 7th-century Qur'an, the 1438-1445 Fra Angelico Annunciation, the 1485 Raphael Annunciation, the 1510 Durer woodcut, the 1667 Milton Paradise Lost, and the 1980 D&D Deities & Demigods. The Persian-angel-faith influence of the c. 6th-century-BCE Babylonian Exile (Babylonian Exile, 586-538 BCE) period settled as the decisive canon in the Book of Daniel (Daniel) 8:15-26 of c. 2nd century BCE — 167-164 BCE — the persecution period of Antiochus IV Epiphanes. The c. 1st-century-CE — c. 4 BCE — New Testament Gospel of Luke (Luke) 1:26-38 — the decisive canon in which 'in the sixth month' Gabriel appeared to the virgin Mary in Nazareth in Galilee and greeted her with 'Hail, full of grace (chaire kecharitomene)' and announced the conception of Jesus — is the decisive canon of the Annunciation (Annunciation), and the Feast of the Annunciation of the Lord (Annunciation of the Lord) on 25 March is the decisive canon. The c. 7th-century — 610 CE Ramadan (Ramadan) — 27th — Cave of Hira (Cave of Hira) near Mecca (Mecca) — the decisive Islamic canon in which Muhammad (Muhammad, c. 570-632) received Jibril's (Jibril) first revelation ('Iqra' — recite — Qur'an 96:1-5) and over 23 years until Muhammad's death on 8 June 632 — Jibril revealed the entire Qur'an of 114 chapters and 6,236 verses. The 1438-1445 Annunciation (Annunciazione) fresco — about 230x321cm — by Fra Angelico (Fra Angelico) of the Convento di San Marco in Florence, Italy and the 1485 Annunciation by Raphael Sanzio are the decisive art canon, and the Gabriel of the 1980 D&D Deities & Demigods by TSR in the USA is the decisive fantasy RPG canon.

In Popular Culture

Old Testament Book of Daniel 8:15-26, 9:21-27 (c. 2nd century BCE) — decisive origin canonApocryphal 1 Enoch 9, 10, 20 (c. 3rd-1st century BCE) — decisive apocryphal canonNew Testament Gospel of Luke 1:11-20 (Zechariah), 1:26-38 (Annunciation) (c. 1st century CE) — decisive New Testament canonQur'an 2:97-98, 26:192-195, 53:5-18 (7th century) — decisive Islamic canonPseudo-Dionysius De Caelesti Hierarchia (c. 5th century) — decisive angelology canonFra Angelico Annunciation, Convento di San Marco (1438-1445) — decisive art canonRaphael Annunciation (1485) — decisive Renaissance canonAlbrecht Durer Annunciation woodcut (1510) — decisive art canonJohn Milton Paradise Lost (1667) — decisive 17th-century literary canonTSR D&D Deities & Demigods, Gabriel (1980) — decisive fantasy RPG canon