LoreArc
suzaku
1 / 1
Suzaku View all

Suzaku

Suzaku · 朱雀 — Sacred Red Bird of the South

The Suzaku (Chinese Zhuque, Japanese Suzaku, Korean Jujak) is the decisive canonical iconographic figure of the sacred red bird guarding the south in the Four Symbols (Four Guardian Spirits) thought of East Asia. The etymology is the compound of the Chinese characters Zhu ('vermilion, red') and Que ('sparrow, bird') — meaning 'vermilion-coloured bird' — the decisive canonical vocabulary. The Four Symbols are the Azure Dragon (Qinglong) of the east, the Vermilion Bird (Zhuque) of the south, the White Tiger (Baihu) of the west, and the Black Tortoise (Xuanwu) of the north, guarding the four directions, four elements (wood, fire, metal, water), and the southern 7 of the 28 lunar mansions — Jing, Gui, Liu, Xing, Zhang, Yi, Zhen — the decisive canonical iconography. The decisive textual canon is Book of Rites (Liji) Quli Shang of the 2nd-century-BCE Former Han — the four-directional military banner canon — and Shiji Book 27 Tianguanshu of Sima Qian (Sima Qian, 145-86 BCE) of the late 1st century BCE — the 28 lunar mansions astronomical classification — the decisive Han-Chinese canon. The decisive visual canon is the Four Symbols mural of the late-6th-century Goguryeo Gangseo-daemyo Tomb (Gangseo-daemyo, Pyeongan-namdo, Korea) — c. 575-605 — and the Four Symbols murals of the 7th-8th-century Japanese Takamatsuzuka Tomb (Takamatsuzuka kofun, discovered 21 March 1972) and Kitora Tomb (Kitora kofun, discovered 7 November 1983).

Origin

The iconographic origin combines the four-directional astronomical thought and the 28 lunar mansions of the c. 4th-century-BCE Chinese Warring States period with the Han-dynasty yin-yang five-element thought — the decisive canon. The decisive textual canon is Book of Rites (Liji) Quli Shang of the 2nd-century-BCE Former Han — 'Vanguard Vermilion Bird, rearguard Black Tortoise, left Azure Dragon, right White Tiger' — the four-directional military banner canon, and Shiji Book 27 Tianguanshu of Sima Qian (Sima Qian, 145-86 BCE) of the late 1st century BCE — the 28 lunar mansions astronomical classification — the decisive Han-Chinese canon. The 1st-century-Han apocryphal text Chunqiu Yuanmingbao and the 2nd-century-Eastern Han Lunheng of Wang Chong (27-97) systematised the Four Symbols canon, and the Han Four Symbols Mirror (sishen jing) with the Four Symbols in concentric relief is the decisive iconography. The decisive visual canon is the Four Symbols mural of the late-6th-century — c. 575-605 — Goguryeo Gangseo-daemyo Tomb (Gangseo-daemyo, Pyeongan-namdo, Korea) — the decisive Korean canon, and the Four Symbols murals of the 7th-8th-century Japanese Asuka-period Takamatsuzuka Tomb (Takamatsuzuka kofun, discovered 21 March 1972) and Kitora Tomb (Kitora kofun, discovered 7 November 1983) are the decisive Japanese canon.

Features

  • Giant vermilion bird with five-coloured plumage
  • Guards the southern 7 lunar mansions (Jing, Gui, Liu, Xing, Zhang, Yi, Zhen)
  • Divinity of summer, fire, and south
  • Part of the Four Symbols four-directional canon
  • Han-dynasty Four Symbols Mirror decisive iconography
  • Gangseo-daemyo and Takamatsuzuka decisive murals

Stories

Book of Rites (Liji) Quli Shang of the 2nd-century-BCE Former Han — the four-directional military banner canon — and Shiji Book 27 Tianguanshu of Sima Qian of the late 1st century BCE — the 28 lunar mansions astronomical classification — are the decisive origin, and the 1st-century-Han Chunqiu Yuanmingbao systematised the Four Symbols canon. The decisive visual canon is the Four Symbols mural of the late-6th-century Goguryeo Gangseo-daemyo Tomb (Gangseo-daemyo, Pyeongan-namdo, Korea) and the Four Symbols murals of the 7th-8th-century Japanese Asuka-period Takamatsuzuka Tomb and Kitora Tomb, and at the transfer to Heian-kyo (Heian-kyo) on 22 October 794 — the southern main gate Suzakumon and the central north-south boulevard Suzaku-oji (about 84 metres wide) — is the decisive Japanese urban canon. The decisive modern canon is the Zhu Que of the 1985 D&D Oriental Adventures by Gary Gygax of TSR in the USA and the summoned beast Suzaku of Final Fantasy V (Super Famicom, directed by Hironobu Sakaguchi) by Square (Square) released in Japan on 6 December 1992 — the decisive video-game canon — and the Suzaku Seven Stars (Suzaku Shichiseishi) of the 1992 Japanese manga and the 1995-1996 anime Fushigi Yugi (Fushigi Yugi) — the decisive 1990s Japanese manga canon — and the protagonist Suzaku Kururugi of the 2006-2008 Japanese anime Code Geass: Lelouch of the Rebellion (Code Geass) are the decisive 21st-century Japanese canon.

Weakness

The Suzaku's weaknesses are: (1) opposition with the northern Black Tortoise (Xuanwu) — the decisive canonical weakness in the Han yin-yang five-element canon that the southern Suzaku (fire) and the northern Black Tortoise (water) are in fire-water (huoshui) mutual opposition; (2) destruction of four-directional balance — the decisive canon in the Four Symbols canon that if one of the four directions (Azure Dragon, Vermilion Bird, White Tiger, Black Tortoise) is broken, the Suzaku also weakens; (3) lack of Taoist rite — in the Taoist and feng-shui canon, places lacking Suzaku rites see drastic decline in summoning efficiency; (4) strong water flow — in the Han five-element canon, strong water (Black Tortoise) weakens the Suzaku's fire; (5) yin-yang imbalance — in the Han yin-yang canon, the yang (Suzaku) is weakened by strong yin; (6) feng-shui binding — in the Four Symbols canon, when the four directions of a city are improperly arranged, the Suzaku weakens — the 794 Heian-kyo canon; (7) lunar-mansion binding — environmentally bound to the southern 7 lunar mansions (Jing, Gui, Liu, Xing, Zhang, Yi, Zhen); (8) sealing rite — bound by the sealing rite of a powerful Taoist priest in the Taoist canon. The decisive canonical finale is the four-directional guardian Suzaku canon at the southern part of the city in the transfer to Heian-kyo on 22 October 794 — the decisive Japanese feng-shui canon.

Cultural Significance

The Suzaku is not merely a southern-bird icon but the canonical iconographic figure of the decisive East Asian Four Symbols canon, traversing Book of Rites (Liji) of the 2nd-century-BCE Former Han, Shiji of Sima Qian of the late 1st century BCE, the 1st-century-Han Chunqiu Yuanmingbao, the late-6th-century Goguryeo Gangseo-daemyo Tomb mural, the 7th-8th-century Japanese Takamatsuzuka Tomb and Kitora Tomb murals, the 794 Japanese Heian-kyo Suzaku-oji, the 1985 D&D Oriental Adventures, the 1992 Square Final Fantasy V, the 1992 Japanese manga Fushigi Yugi, and the 2006 Japanese anime Code Geass. The four-directional astronomical thought and 28 lunar mansions of the c. 4th-century-BCE Chinese Warring States period combined with the Han-dynasty yin-yang five-element thought became the decisive Four Symbols canon, and the decisive visual canon is the Four Symbols mural of the late-6th-century — c. 575-605 — Goguryeo Gangseo-daemyo Tomb (Gangseo-daemyo, Pyeongan-namdo, Korea) — the decisive Korean canon. The Four Symbols murals of the 7th-8th-century Japanese Asuka-period Takamatsuzuka Tomb (Takamatsuzuka kofun, discovered 21 March 1972) and Kitora Tomb (Kitora kofun, discovered 7 November 1983) are the decisive Japanese canon, and at the transfer to Heian-kyo (Heian-kyo) by Emperor Kanmu (Emperor Kanmu, 737-806) on 22 October 794 — the southern main gate Suzakumon and the central north-south boulevard Suzaku-oji (about 84 metres wide, about 3.8 kilometres long) — is the decisive Japanese urban canon. The decisive modern canon is the Zhu Que of the 1985 D&D Oriental Adventures by Gary Gygax of TSR in the USA and the summoned beast Suzaku of Final Fantasy V (Super Famicom, directed by Hironobu Sakaguchi) by Square released in Japan on 6 December 1992 — the decisive video-game canon.

In Popular Culture

Book of Rites (Liji) Quli Shang (2nd century BCE) — decisive four-directional banner canonSima Qian, Shiji Book 27 Tianguanshu (late 1st century BCE) — decisive 28 lunar mansions canonHan Four Symbols Mirror (sishen jing) (1st-3rd centuries) — decisive iconographic canonGoguryeo Gangseo-daemyo Four Symbols mural (late 6th century) — decisive Korean visual canonJapanese Takamatsuzuka Tomb Four Symbols mural (7th-8th centuries) — decisive Japanese visual canonJapanese Kitora Tomb Four Symbols mural (7th-8th centuries) — decisive Japanese visual canonHeian-kyo Suzakumon and Suzaku-oji (794) — decisive Japanese urban canonGygax, D&D Oriental Adventures, Zhu Que (1985) — decisive fantasy RPG canonSquare, Final Fantasy V, summoned beast Suzaku (1992) — decisive video-game canonWatase Yuu manga Fushigi Yugi, Suzaku Seven Stars (1992) — decisive Japanese manga canon

Related Items

kagutsuchi

Kagutsuchi

Spirit King

Kagutsuchi · 軻遇突智 — King of the Destructive Flame

Kagutsuchi (Kagutsuchi, Hi-no-Kagutsuchi) is the decisive canonical fire god of Japanese mythology. The etymology is the Japanese compound of kagu ('shining, radiant') and tsuchi ('spirit, soul') — meaning 'shining soul' — the decisive canonical vocabulary, and the alias Hi-no-Kagutsuchi ('fire Kagutsuchi') indicates that he is the embodiment of fire — the decisive canon. The decisive textual canon is the Volume 1 of the Kojiki (Kojiki) — the oldest extant Japanese historical chronicle compiled by Ono no Yasumaro (660-c. 723) in the Nara period and presented to the 43rd Empress Genmei (Empress Genmei, 661-721) on 28 January 712 CE — the Japanese creation mythology — the decisive canon, in which the mother goddess Izanami (Izanami) dies of burns while giving birth to Kagutsuchi, and the enraged father god Izanagi (Izanagi) beheads Kagutsuchi with his Totsuka-no-Tsurugi (Totsuka-no-Tsurugi, ten-hand sword) — the decisive tragic mythological canon. The Nihon Shoki (Nihon Shoki) Volume 1 Age of the Gods Upper Chapter, presented by Prince Toneri (Prince Toneri, 676-735) to the 44th Empress Gensho in 720 CE, also decisively records this — the decisive canon. From Kagutsuchi's blood and corpse fragments, dozens of new gods were born — the decisive canon — and Kagutsuchi is enshrined at the Fujisan Hongu Sengen Taisha (Fujisan Hongu Sengen Taisha, Fujinomiya City, Shizuoka Prefecture) — the decisive Japanese volcano-faith canon.

phoenix-spirit
📸 2

Phoenix Spirit

Spirit King

Spirit Form of the Immortal Phoenix

The Phoenix Spirit (Greek Phoinix, Latin Phoenix, English Phoenix) is the canonical iconographic figure of the immortal flame-bird — adapting the Egyptian Bennu (Bennu) and the Greek Phoenix tradition into the spirit category — that immolates itself every 500 or 1000 years and is reborn from the ashes. The etymology is presumed from the Greek Phoinix (Greek 'crimson' or 'Phoenician bird'), and the bennu ('the one that rises') of ancient Egypt — the canonical sacred bird of the resurrection of the sun god Ra and Osiris of Heliopolis — is the decisive origin of the Greek Phoenix iconography. The decisive textual canon is Chapter 73 of Book 2 of the Histories (Historiai) of the Greek historian Herodotus (Herodotus, c. 484-425 BCE) of the 5th century BCE — the testimony of Egyptian priests of seeing the Phoenix at the Sun Temple of Heliopolis and the canon that every 500 years the Phoenix comes from Arabia to Heliopolis carrying the corpse of its father Phoenix in a myrrh egg — the decisive canon, and the decisive Latin-literary canon is the canon of lines 392-407 of Book 15 of the Metamorphoses of the Roman poet Ovid (Publius Ovidius Naso, 43 BCE - 17 CE) of c. 8 CE — the 1000-year cyclic self-immolation and rebirth from the ashes — the decisive canon. The decisive modern canon is the Headmaster Dumbledore's phoenix Fawkes of the Harry Potter (Harry Potter) series of the British author J. K. Rowling (J. K. Rowling, b. 1965) of 1997-2007 — first appearing in Chapter 12 of Harry Potter and the Chamber of Secrets of 1998 — the decisive culminating work of the 21st-century global Phoenix canon.